In Coralie Fargeat's brand-new feminist horror flick The Substance, dangerous societal beauty specifications are the real creatures. They (female objectification, the fingertip of "the aged," the proliferation of a business built on physical body adjustment) nourish a monster of a cycle that leads Demi Moore's fading television personality characte
In Coralie Fargeat's brand-new feminist scary movie The Substance, harmful popular appeal criteria are the real creatures. They (female objectification, the disposal of "the outdated," the expansion of a market improved body system adjustment) nourish a monster of a cycle that leads Demi Moore's fading television individuality character Elisabeth S
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